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Capote_cover

Capote

2005 ยท Canada, United States - Bennett Miller

The film opens in Kansas with the discovery of the dead bodies of four of the members of the Clutter family by a family friend. While reading The New York Times, Truman Capote is riveted by the story of the Clutters and calls The New Yorker editor William Shawn to tell him that he plans to document the tragedy.

Genres:

Drama, Biography, History, Crime

Release date:

2005-09-22

External links:

Capote at IMDB Capote at Wikipedia

  1. Rotten Tomatoes

    20 Critic reviews

    90% 73%

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      Bob Mondello

      NPR.org

      October 18, 2008 read full article

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      J. Hoberman

      Village Voice

      Capote is a cool and polished hall of mirrors reflecting the ways in which Truman Capote came to write (and be written by) In Cold Blood.

      January 05, 2006 read full article

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      Steve Murray

      Atlanta Journal-Constitution

      Hoffman goes beyond impersonation to something close to possession.

      October 29, 2005 read full article

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      Jonathan Rosenbaum

      Chicago Reader

      Skillfully and economically put together.

      October 29, 2005 read full article

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      Peter Howell

      Toronto Star

      The almost perfectly realized Capote -- stumbling only in the lack of shading it gives Keener's and Greenwood's characters -- offers a sobering glimpse at what the author had to give up of his soul to achieve his success.

      October 28, 2005 read full article

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      Roger Moore

      Orlando Sentinel

      A meditation on the artist's obligations to the art and to society and lines that blur when you cross them.

      October 28, 2005 read full article

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      Bruce Westbrook

      Houston Chronicle

      It's a fully realized look at a time and place as well as a riveting study of career obsessions warring with a sense of justice.

      October 28, 2005 read full article

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      Rick Groen

      Globe and Mail

      I came in expecting Hoffman's tour de force and left with a fuller appreciation of the quiet yet lethal film around him. Lethal, because what it says about the writer's craft, about what often gets destroyed in the name of creation.

      October 28, 2005 read full article

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      Tom Long

      Detroit News

      It is complex and thoughtful and tragic in the end. And it is certainly one of the best movies of the year.

      October 28, 2005 read full article

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      Terry Lawson

      Detroit Free Press

      The best movie about journalism since All the President's Men, and one of the best films about writing ever made.

      October 28, 2005 read full article

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      Bill Muller

      Arizona Republic

      This spare, uncompromising portrait not only examines what drove the author but delves into the ethics of journalists who identify with their subjects, or pretend to, in order to report their stories.

      October 27, 2005 read full article

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      Stephen Hunter

      Washington Post

      The genius of the film, besides Hoffman's stunning performance, is that it knows exactly how much is enough. It never overplays, lingers or punches up.

      October 21, 2005 read full article

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      Carrie Rickey

      Philadelphia Inquirer

      Engages both the practical and the moral implications of Capote's achievement.

      October 21, 2005 read full article

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      Robert Denerstein

      Denver Rocky Mountain News

      Capote might be the best movie ever made about the complex relationship between a serious writer and a vulnerable, though not guiltless, subject.

      October 21, 2005 read full article

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      Lisa Kennedy

      Denver Post

      Hoffman and company make Capote well worth seeing. What makes the movie important is the way Capote exposes the work of journalism.

      October 21, 2005 read full article

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      Roger Ebert

      Chicago Sun-Times

      Capote is a film of uncommon strength and insight.

      October 21, 2005 read full article

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      Jeff Strickler

      Minneapolis Star Tribune

      As entertaining as it is insightful.

      October 20, 2005 read full article

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      Chris Vognar

      Dallas Morning News

      It's about as close as film can come to capturing a man as he gradually loses all bearings and joy. At these moments, it's hard to look at Capote. But it's even harder to turn away.

      October 20, 2005 read full article

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      Michael Phillips

      Chicago Tribune

      It is exceptional in every sharp-eyed, low-keyed detail.

      October 20, 2005 read full article

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      Ty Burr

      Boston Globe

      When it's good -- which is very often -- Capote remembers what Capote forgot: Beware the reporter who thinks he's the story.

      October 14, 2005 read full article