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2005 ยท Canada, United States - Bennett Miller
The film opens in Kansas with the discovery of the dead bodies of four of the members of the Clutter family by a family friend. While reading The New York Times, Truman Capote is riveted by the story of the Clutters and calls The New Yorker editor William Shawn to tell him that he plans to document the tragedy.
Drama, Biography, History, Crime
2005-09-22
20 Critic reviews
Bob Mondello
NPR.org
October 18, 2008 read full article
J. Hoberman
Village Voice
Capote is a cool and polished hall of mirrors reflecting the ways in which Truman Capote came to write (and be written by) In Cold Blood.
January 05, 2006 read full article
Steve Murray
Atlanta Journal-Constitution
Hoffman goes beyond impersonation to something close to possession.
October 29, 2005 read full article
Jonathan Rosenbaum
Chicago Reader
Skillfully and economically put together.
October 29, 2005 read full article
Peter Howell
Toronto Star
The almost perfectly realized Capote -- stumbling only in the lack of shading it gives Keener's and Greenwood's characters -- offers a sobering glimpse at what the author had to give up of his soul to achieve his success.
October 28, 2005 read full article
Roger Moore
Orlando Sentinel
A meditation on the artist's obligations to the art and to society and lines that blur when you cross them.
October 28, 2005 read full article
Bruce Westbrook
Houston Chronicle
It's a fully realized look at a time and place as well as a riveting study of career obsessions warring with a sense of justice.
October 28, 2005 read full article
Rick Groen
Globe and Mail
I came in expecting Hoffman's tour de force and left with a fuller appreciation of the quiet yet lethal film around him. Lethal, because what it says about the writer's craft, about what often gets destroyed in the name of creation.
October 28, 2005 read full article
Tom Long
Detroit News
It is complex and thoughtful and tragic in the end. And it is certainly one of the best movies of the year.
October 28, 2005 read full article
Terry Lawson
Detroit Free Press
The best movie about journalism since All the President's Men, and one of the best films about writing ever made.
October 28, 2005 read full article
Bill Muller
Arizona Republic
This spare, uncompromising portrait not only examines what drove the author but delves into the ethics of journalists who identify with their subjects, or pretend to, in order to report their stories.
October 27, 2005 read full article
Stephen Hunter
Washington Post
The genius of the film, besides Hoffman's stunning performance, is that it knows exactly how much is enough. It never overplays, lingers or punches up.
October 21, 2005 read full article
Carrie Rickey
Philadelphia Inquirer
Engages both the practical and the moral implications of Capote's achievement.
October 21, 2005 read full article
Robert Denerstein
Denver Rocky Mountain News
Capote might be the best movie ever made about the complex relationship between a serious writer and a vulnerable, though not guiltless, subject.
October 21, 2005 read full article
Lisa Kennedy
Denver Post
Hoffman and company make Capote well worth seeing. What makes the movie important is the way Capote exposes the work of journalism.
October 21, 2005 read full article
Roger Ebert
Chicago Sun-Times
Capote is a film of uncommon strength and insight.
October 21, 2005 read full article
Jeff Strickler
Minneapolis Star Tribune
As entertaining as it is insightful.
October 20, 2005 read full article
Chris Vognar
Dallas Morning News
It's about as close as film can come to capturing a man as he gradually loses all bearings and joy. At these moments, it's hard to look at Capote. But it's even harder to turn away.
October 20, 2005 read full article
Michael Phillips
Chicago Tribune
It is exceptional in every sharp-eyed, low-keyed detail.
October 20, 2005 read full article
Ty Burr
Boston Globe
When it's good -- which is very often -- Capote remembers what Capote forgot: Beware the reporter who thinks he's the story.
October 14, 2005 read full article