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Memento_cover

Memento

2000 ยท United States - Christopher Nolan

Memento is presented as two different sequences of scenes: a series in black-and-white that are shown chronologically, and a series of color sequences shown in reverse order. The two sequences "meet" at the end of the film, producing one common story. During the opening credits of the film, the only sequence to be played backwards is shown. It starts with the developed Polaroid photograph of a man shot in the head. As the sequence plays backwards we are shown the photo reverting to its undeveloped state, entering the camera, being taken, etc. As the credits end, we see the protagonist shoot a man in the head.

Genres:

Thriller, Crime, Drama, Mystery

Release date:

2000-09-05

External links:

Memento at IMDB Memento at Wikipedia

  1. Rotten Tomatoes

    20 Critic reviews

    92% 93%

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      Jonathan Rosenbaum

      Chicago Reader

      More a puzzle than a meaningful story, it reminds me of how Edmund Wilson compared reading a mystery to eagerly unpacking a box of excelsior, only to find a few rusty nails at the bottom.

      September 27, 2011 read full article

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      Chris Nashawaty

      Entertainment Weekly

      Memento is one of those jigsaw puzzles whose pieces snap together more tightly with each viewing. Fueling it all is a performance by Guy Pearce that's as indelible as the tattoo ink covering his body.

      February 17, 2011 read full article

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      Andrew Sarris

      New York Observer

      I am neither upset nor disturbed by Memento , only vaguely dissatisfied. I simply don't buy Jonathan Nolan's thesis that audiences know all the tropes and tricks of crime thrillers backward and forward.

      April 27, 2007 read full article

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      Peter Rainer

      New York Magazine

      It's all pretty confusing, but then again, so were many of the classic film noirs.

      September 26, 2002 read full article

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      Globe and Mail

      March 22, 2002 read full article

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      Susan Stark

      Detroit News

      October 30, 2001 read full article

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      Eleanor Ringel Gillespie

      Atlanta Journal-Constitution

      Christopher Nolan's extraordinary film is a brainteaser and a heartbreaker.

      September 07, 2001 read full article

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      Roger Ebert

      Chicago Sun-Times

      A diabolical and absorbing experience.

      April 13, 2001 read full article

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      Desson Thomson

      Washington Post

      Memento doesn't just draw you into a dramatic mystery, it makes you aware of human mystery. And that's food for thought and entertainment.

      April 12, 2001 read full article

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      Rita Kempley

      Washington Post

      Challenge all viewers and gives them plenty to ponder after the credits roll, the lights go out and they reach the parking lot.

      April 12, 2001 read full article

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      Mark Caro

      Chicago Tribune

      Memento is a thriller for people who are sick of thrillers, a puzzle movie in which the puzzle is actually worth the time and effort to solve.

      April 12, 2001 read full article

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      Stanley Kauffmann

      New Republic

      Nolan uses the structure simply as a gimmick to refresh a stale story of revenge, crime, sex, a film noir that never gets any darker than gris.

      April 11, 2001 read full article

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      Richard Schickel

      TIME Magazine

      Full of odd, hypnotic menace.

      April 09, 2001 read full article

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      Joe Baltake

      Sacramento Bee

      Nolan is a breath of fresh air as a filmmaker.

      April 06, 2001 read full article

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      Terry Lawson

      Detroit Free Press

      It will be an unadventurous or lazy filmgoer who doesn't want to play the movie's ingenious game.

      April 06, 2001 read full article

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      Steven Rosen

      Denver Post

      Destined to become a new noir classic.

      April 06, 2001 read full article

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      Geoff Pevere

      Toronto Star

      Memento's boldest stroke is its ingenious synthesis of structure and theme.

      March 30, 2001 read full article

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      Edward Guthmann

      San Francisco Chronicle

      Bound to be talked about, debated and eviscerated far more than it's understood.

      March 30, 2001 read full article

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      Steven Rea

      Philadelphia Inquirer

      Terrifically satisfying film.

      March 30, 2001 read full article

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      Houston Chronicle

      Wild, daring, smart and funny, Memento is this year's quirky film-festival hit that deserves to break out of the art houses and into mainstream consciousness.

      March 30, 2001 read full article